ITVS Montreux '99: JVC Booth B440
FOR IMMEDIATE RELEASE: June 11, 1999
Overview
D-9 "State
of the Format" Message From JVC
DY-90W Switchable
aspect ratio D-9 Camcorder
BR-D95 D-9 Editing
VTR with variable motion, pre-read playback, SDTI capability
JVC introduces
MW-S1000 Version 2.0 Non-Linear Editing System
JVC announces
Sunlight Visible high resolution, 5 inch LCCS Monitor
JVC High
Resolution 24 bit Scanned Images
Press
Contacts
The main theme of JVC's Montreux exhibits centres on JVC's D-9 broadcasting and production format. It gives the visitors the opportunity to fully understand and experience the complete line-up of production systems and supporting products. JVC's systems solutions range from lightweight 16:9 D-9 camcorders and monitors which are fully visible in sunlight, to large-scale DVD MPEG-based broadcast archive and software management facilities.
D-9
JVC's pursuit of Digital VTR technology led our engineers five
years ago to conclude that, in order to achieve the quality required
of the forthcoming digital broadcasting standards, overall cost
had to be finely balanced with a number of fundamental universals.
These include:- compression technique, generations of encoding
and decoding, the amount of processing occurring at each generation,
programme material requirements, flexibility and accuracy in editing
and finally, the overall cost of ownership including initial purchase
price and after sales service and support.
Low compression processing was an obvious need, as was editing accuracy - down to single-frame editing. This led to the choice of highly efficient 50 Mbps intra-frame encoding which was the standard reference for main-stream television production.
Additionally a high level of error correction was important. In today's digital age it was vital that there should be virtually no generational loss under concatenations, taking into account the effects of decoding, production processing and recoding. Furthermore, later in the transmission chain, while MPEG encoding is very intolerant of coding noise, the natural look of D-9 and its freedom from coding artefacts clearly identifies it as a format of choice for DVB and digital broadcasting.
Finally, JVC was able to take advantage of our long-established experience in ½" tape and transport technology. The result is D-9, a format that is uncompromising in quality and a 'pioneer' in efficiency and cost-effectiveness.
SMPTE has assigned the format the designation D-9; which is formally comprised of SMPTE 316M and 317M for VTR and cassette technology respectively. What is more, SMPTE identified early on that the undecoded transport of already compressed data from device to device was the obvious best case for removing the last spectre of generation loss. JVC's co-operation in the development of D-9 was central to creating the proposed SMPTE 314M standard "Data Structure for DV-based Audio data and Compressed Video 25 and 50 Megabits per second". JVC's new BR-D95 VTR combines an optional SDTI interface with variable motion control - an operational feature which is particularly well suited to sports and other applications.
EUROPE
Generally throughout Europe high standards for broadcasting and
distribution, shorter broadcast transmission distances and editing
through fewer generations have led to very high quality images
being able to reach the viewer. So it is reasonable to assume
that migration to digital receivers may be evolutionary and will
take some time. Consequently, JVC understands that Broadcast and
production companies need a long-term format like D-9 to take
them through this evolution process into the first decade of the
21st century.
D-9 combines the fundamental need for high visual quality with ruggedness and low operational cost - all of which is demanded by the long-term transmission to digital. All of these attributes are to be found in the complete JVC line-up - from the lightweight, switchable 16:9/4:3 DY-90W camcorder, capable of recording up to 2 hours, to the professional series camcorders and decks. From dockable recorders matched with JVC's switchable 16:9/4:3 camera and other high end broadcast cameras, to the fully-featured BR-D92 and BR-D52 editing systems and the new BR-D95 master editing VTR.
INFRASTRUCTURE
There is no better example of JVC's abilities to develop new technologies
to meet market needs than our award - winning LCCS high resolution,
high-brightness monitor model TM-L500PN. Unlike conventional CRT
monitors that use three electron guns (RGB) to produce a colour
image, JVC's new LCCS monitor uses one black and white electron
gun, which is merged with a Liquid Crystal Colour Shutter, providing
incredible sharpness and brightness. As further evidence of their
ability to display high - quality, high definition images, JVC's
unique state-of-the-art D-ILA projection technology will also
be on show, together with many of their CRT-based TM and BM-series
monitors, such as the new TM-1750PN.
Another award - winner present is the broadcast level DVD archive/asset management system based on the MC-2000 series DVD ram libraries. With libraries ranging from 100 to 600 discs apiece, networking 6 units together, for example, yields 17 terabytes of removable disc storage. Variable MPEG-2 encoding at high professional data rates is used for video. A full range of other types of data can be stored.
At Montreux the streamlined and feature - rich JVC non-linear editing system MW-S1000 is another key element in a fully digital D-9 production environment.
HANDS-ON
Above all JVC is committed to making sure that the benefits of
their technological developments are fully understood. We invite
everyone to take time out to look at the JVC exhibits which will
be on display in our booth and seminar areas.
JVC's revolutionary DIGITAL-S
50 Mbps 4:2:2 component digital videotape recording format clearly
demonstrates JVC's market knowledge and technological leadership
in the broadcast and video production industries. Across the spectrum,
from broadcasters to corporate video production companies, customers
seeking high-quality digital video equipment at a reasonable price
have turned to JVC's DIGITAL-S. Today, over 260 broadcasters world-wide
rely on Digital-S. These include The Fox Network, a unit of the
BBC, numerous ABC, CBS, NBC, PBS affiliates, Sun TV, Ternorba,
TV Bandeu, Lux TV and Agenda TV . And with over 15,000 units in
service world-wide, DIGITAL-S is firmly entrenched within the
broadcast and tele-production communities.
After long-term review and deliberation by SMPTE, DIGITAL-S is
now designated as the standard digital VTR and signal format,
D-9. JVC conceived of D-9 DIGITAL-S as the logical format to take
the industry into the digital future and, ultimately, to HDTV
production and broadcasting.
This year, as the broadcast industry rounds the corner into the
HDTV millennium, JVC's DIGITAL-S is proving the logical migration
path to the HDTV future by utilising half inch cassettes and a
DV based 100 Mbps data transfer rate based on D-9.
A Brief History
JVC introduced DIGITAL-S in 1995, using working prototypes to
demonstrate the digital format's extraordinary picture quality
and performance. Because of its larger ½-inch tape size,
superior 4:2:2 component digital processing and mild compression,
JVC's digital format was compared favourably to the most expensive
formats like Digital Betacam, while visibly outperforming the
DV-based formats from a quality standpoint. Industry-wide recognition
of JVC's visionary design of DIGITAL-S came in the form of numerous
awards from leading publications and the industry recognised that
JVC had harnessed the potential of the digital future.
The first DIGITAL-S recorders and players were unveiled the following
year in 1996. As JVC rolled-out three mid-range VTRs and a dockable
recorder, news spread that DIGITAL-S was capable of delivering
high-end digital image quality and advanced features at an affordable
price. The first major sales came quickly as Brazilian SBT and
then the US Fox NewsChannel and Fox Sports recognised the value
in the ½-inch format, and purchased the entire first shipment
of JVC's DIGITAL-S editors and controllers in September 1996.
The first product was introduced to PAL markets in October of
1996. JVC's 1997 spring rollout of acquisition products, including
their BR-D40 DIGITAL-S dockable recorder, further excited the
market and drove sales. Work also began in 1997 for the SMPTE
standardisation of the format and signal as D-9.
The broadcast and production industries embraced DIGITAL-S, and
JVC responded by adding extensions to the range -embracing features
for the top of the market and more economical models at the lower
end. In 1998, a joint SMPTE/EBU task force reported what JVC and
its DIGITAL-S customers had long known. That the D-9 DIGITAL-S
format provides:
· Quality identical to that produced by Digital Betacam
· Superior quality to that found in Beta-SP
· Superior quality to that found in either of the competing
25 Mbps DV-based digital formats.
DIGITAL-S has always been capable of accommodating 4 audio tracks,
but initial machines were configured to access only two. It was
always JVC's intention to expand the format's capabilities as
the market grew and demanded additional features. At IBC in 1998,
in response to requests by broadcasters for a studio deck with
more audio channels, JVC introduced the DIGITAL-S 4-channel series
-- the BR-D92 and BR-D52 broadcast studio VTRs. These were followed
by the introduction of JVC's DY-90 DIGITAL-S camcorder - a 4-audio
channel camera with superior sensitivity (F11 @ 2,000 lux) and
weighing in at just 6.9 kilograms, including standard lens, viewfinder,
battery and tape.
D-9 -The SMPTE Designation
JVC's 50 Mbps DIGITAL-S format has now been standardised by the
SMPTE (Society of Motion Picture and Television Engineers) and
has been designated D-9. This designation proves JVC's commitment
to the future of DIGITAL-S.To this end JVC has worked with other
leading manufactures to make DIGITAL-S an open standard. Additionally,
JVC is working on new SMPTE standards for interfacing D-9 compressed
data.
Today, D-9 is a format recognised world-wide. Global organisations
such as Fox, BBC, Comcast Cable, Nissan Motors, Brazil's SBT network,
and many more customers across Europe have chosen D-9. Significantly,
the first all-digital station in Honolulu Hawaii, ABC-affiliate
KITV-TV chose D-9 as their station-wide videotape format.
Robust ½-inch Tape
One of the core design elements in D-9 is the visionary choice
of 1/2-inch tape. Like the majority of other high-end formats
(D3, D5, and Digital Betacam), D-9 relies on 1/2-inch tape not
only because it allows for the recording of a vast amount of data,
but also because of its additional strength and reliability D-9
uses metal particle tape offering an unbeatable combination of
high performance and reliability, and up to 124 minutes of recording
time-even in the field. Each videocassette is good for over 200
passes, improving the economy of D-9. D-9 Tape stock is available
from both JVC and Fuji.
Built for Reliability and Low Maintenance Cost
Remarkably, many JVC customers are reporting that they are achieving
upwards of 5,000 - some as high as 7,000 hours -- of head life
on their D-9 VTRs. JVC designed DIGITAL-S for ease of maintenance
and high reliability. Designed around a proven tape transport
mechanism and with a low mass inner drum assembly that minimises
headwear, JVC's engineers "got it right" in their design
of D-9. From genuine sapphire tape flanges to ceramic tape guides,
the "inner workings" of the D-9 machine were designed
to provide maximum image quality and low maintenance costs. And
maintenance records from Fox NewsChannel bear this out.
DIGITAL-S - An Expanding Product Line
JVC originated the 4:2:2, 50 Mbps D-9 format with the digital
future in mind. Even the most basic and economical D-9 recorders
offer superior 4:2:2 digital sampling and picture quality that
rivals the most expensive digital formats. This obsession with
quality allows all D-9 customers to take advantage of the pristine
picture quality that comes from 4:2:2 sampling, mild 3.3:1 DCT
compression, and a superior 50 Mbps data stream. More importantly,
it assures that equipment purchased today will continue to represent
a useful and productive investment as the industry migrates to
16:9 DTV and HDTV.
This year JVC is significantly adding to its D-9 product line,
providing products that expand the capabilities of broadcasters
and video professionals alike. JVC is pleased to introduce:
DY-90W Switchable Aspect Ratio DIGITAL-S Camcorder
- JVC's DY-90 D-9 camcorder offers light weight and low power
consumption, without compromising quality or sensitivity. In due
course a switchable aspect ratio version of the DY-90 - the DY-90W
- will suit the growing number of producers who are choosing to
shoot wide screen 16:9 video.
The BR-D95 Variable Motion VTR
- Ideal for spots production and post-production assignments,
JVC's new BR-D95 variable motion VTR is a broadcast-quality studio
editing VTR with pre-read and slow motion playback capability.
The addition of a high-end variable motion VTR to JVC's D-9 family
of products shows that JVC is constantly striving to provide its
customers with the tools they need to do their jobs better and
more profitably.
MW-S1000 Non-Linear editor with Version 2.0 Software
- JVC developed the MW-S1000 non-linear editing machine in support
of its D-9 users. The MW-S1000 offers end-to-end 4:2:2 digital,
and real-time 2D and 3D effects, along with a wealth of features
required in non-linear editing. JVC is now introducing the second
generation software for the MW-S1000, version 2.0, which allows
for even more 2D and 3D effects, and enhances the functionality
of this already impressive unit.
D-9 - Supporting the March To DVB and DTV
The broadcast and production industries are quickly marching toward
16:9 digital television. Once again, JVC's visionary choice of
4:2:2 digital sampling and ½-inch tape is proving to be
the ideal method for moving seamlessly into DVB broadcast. 4:2:2
digital signal processing offers the ideal signal for conversion
to DVB's MPEG-2 compression systems.
Across its range D-9 is 16:9 capable. In fact, quality 16:9 images
require the higher resolution of JVC's 4:2:2 system. So, by choosing
a superior recording method that preserves more data, JVC has
made the path to wide-screen DVB a clear one for its customers.
D-9 HD - 100 Mbps Extension to HDTV of the future!
With demand for HDTV production equipment ready to explode, JVC
has accelerated its development of a 100 Mbps extension to D-9
DIGITAL-S.
D-9 HD is a remarkable stride forward into HDTV, and the next
logical extension for the D-9 format. Again, JVC's visionary choice
of ½-inch tape as the basis for the D-9 format has opened
a world of possibilities in the High Definition arena. It allows
D-9 HD to achieve a 100 Mbps data stream at a reasonable tape
speed, and with maximum tape-to-head contact, ensuring the best
picture quality with maximum reliability and virtually no drop
outs.
JVC is developing field production and acquisition systems including
camcorders, editing decks and field editing systems with the 100
Mbps system's capability to record HDTV signals.
Looking to the Future
JVC is delivering products that meet the specific needs of virtually
all segments of the professional video marketplace, from broadcasters
to high-end post-production facilities, to corporate and event
production companies. JVC has reaffirmed its commitment to provide
practical, productive and economic solutions that address real
world challenges.
The development of D-9 is one of the pillars of JVC's strategy
for the 21st century. D-9 decisively positions JVC at the forefront
of that revolution, providing a key contribution to production
that will be an integral part of our world culture in the coming
century.
At Montreux ITVS 1999, JVC introduces
a new light weight camcorder with low power consumption to the
JVC 16:9 / 4:3switchable aspect ratio camera line-up. In 1998
delivery started for the acclaimed KY-D29W switchable aspect ratio
camera. The DY-90W switchable camcorder introduced this year is
another new addition to the D-9 (Digital S) acquisition and production
line-up.
The DY-90W is lightweight( only 7 kg.) and comfortable with low
power consumption and a fully digital D-9 2/3" CCD camcorder,
similar to the 4:3 DY-90. This fully-featured camera delivers
the digital power of JVC's renowned D-9 4:2:2 component digital
recording format and includes 4-channel audio, for the highest
quality raw footage.
The DY-90W camcorder offers true 16:9 CCDs to optimise performance
when recording in widescreen applications. Since this camcorder's
native capture state is 16:9, and its recorder is D-9 (already
established as a superior digital widescreen recording format),
there is no compromise on resolution or recording data to achieve
pristine 16:9 images.
As more broadcast programming becomes dependent on 16:9, the combination
of 16:9 and D-9 4:2:2 quality offers the best cost/performance
solution for digital broadcasting. The DY-90W is suitable for
virtually all field acquisition projects and JVC believes that
it will appeal strongly to the market that demands the highest
quality widescreen digital performance. The DY-90W not only delivers
superb sensitivity, resolution and performance, it reliably delivers
it on the robust 4:2:2, 8-bit component digital processing D-9
format and tape - perfect for high quality digital broadcasting
applications.
The DY-90W's superior sensitivity (F11 at 2,000 lux), and outstanding
performance are further evidence of JVC's commitment to the highest
quality field acquisition. With three 585(V) x 980(H) true 16x9
pixel CCDs, the DY-90W delivers the sharpest resolution and sensitivity.
Additionally, the DY-90W features JVC's pioneering Full Auto Shooting
Mode (FAS) with continuous automatic white balance that allows
automatic shooting from 4 to 24,000 lux, from indoors to outdoors,
and has an extremely quiet 60dB signal-to-noise ratio. JVC's exclusive
LoLux mode adds outstanding low light performance, down to 0.75
lux. All of this adds up to superior performance and superior
pictures which can be captured under the most demanding and varied
of environmental conditions.
The DY-90W incorporates advanced-generation 14-bit video processing.
The DY-90's 14-bit DSP provides natural enhancement of details,
eliminates spot noise and gives exceptional reproduction - including
colour in the highlights. Two scene files for sets of advanced
custom camera settings are saved in a removable set-up box for
transferring set-ups to other cameras.
In field production, superb audio is vital, and the DY-90W offers
one of the most sought after features of four 16 bit 48 kHz PCM
audio channels yielding over 80 dB of dynamic range.
Camera operators on the move under demanding conditions will appreciate
the DY-90W's rugged design and standard features, including the
Automatic Editing function (AEF) for smooth cuts, 4x picture search
in both directions, and colour video playback for monitoring.
The camcorder employs a sturdy, magnesium die cast chassis, ceramic
tape guide rollers and sapphire flanges for long life. It also
sports a durable and reliable centre rotating head design. When
using the D-9 DS-124 cassette, shooters can acquire over two hours
of footage on a single tape. The DY-90W is packed with features
and yet draws only 29 watts of power, facilitating longer shoots
with standard battery packs.
The DY-90W D-9 camcorder as well as the KY-D29W camera put JVC
squarely at the forefront in delivering high-performance 16:9
widescreen acquisition products to the market.
JVC announces an important extension
to its DIGITAL-S (D-9) product line with the development of a
broadcast-quality studio editing VTR with variable motion and
pre-read playback and optional SDTI compressed data transfer capability.
The BR-D95, which is showcased at the 1999 Montreux ITVS Exhibition,
further demonstrates JVC's commitment to the D-9 format and to
its customers world-wide.
This exciting new addition to the D-9 product line is targeted
at the most demanding broadcast and post production studios; especially
those involved in sports production (for instant replay).
By adding a high-end variable motion VTR to the D-9 family of
products, JVC is constantly providing its customers with the tools
they need to do their jobs better and more profitably.
By incorporating three times the normal number of playback heads,
JVC has been able to provide a much wider range of slow motion,
fast motion, or continuous playback facilities. Moreover, fine
speed increments allow Fit and Fill capabilities.
In addition, designing the machine so that it can be connected
via SDTI ( Serial Data Transport Interface ) for compressed data
or standard SDI ( Serial Digital Interface ) means that this VTR
can maintain a fully digital path with many more devices. Both
optional SDTI and SDI interfaces provide a pure signal when spooling
to and from servers and non-linear editors. This user friendly
VTR can be controlled by devices using RS-422 or RS-232 standard
interfaces.
JVC's use of multiple playback
head technology provides several additional advantages. First,
the application of digital techniques improves and mitigates the
jaggy edges that are often apparent in variable and still motion
playback. Second, this enlarges the pre-read window by up to 32
lines, for compatibility with a wider range of digital vision
mixers, and expanded layering and editing.
When playing back a tape, the BR-D95 will actually play back all
four digital audio tracks within the variable speed range. Seamless
digital audio editing is achieved by its audio cross fade capability.
This machine can start playback at a pre-set speed at a set cue
point.
JVC continues to take a leadership position by providing our customers
with advanced technology that solves their real world problems.
JVC believes that the continuing development of our digital product
line, and in particular the D-9 family, puts JVC and our customers
at the forefront of achieving the highest quality more reliably
and at a cost which offers outstanding value for their investment.
Because the format uses half inch cassettes with outstanding high
capacity,
D-9 products offer a more flexible and clearer path towards DVB,
DTV and HDTV than any other format.
JVC's all-in-one hybrid 4:2:2
non-linear editing machine provides users with streamlined and
customisable operations.
The all-in-one unit, running under Windows NT, is capable of dual
Pentium Processors, and is standard with 64Mb of system RAM and
a 12 to 27 gigabyte media disk array that provides dual video
streams running at 40 Megabytes per second. An external expansion
drive array can be added to boost total media capacity to 15 drives.
All video input and output carried by standardised Movie II bus
that supports up to 8 fully independent 270Mb/s video streams
simultaneously with Four channels of uncompressed audio.
Live multi-layering capabilities allows the system to combine
a background, two video streams that may contain 2D or 3D effects,
or standard wipe patterns, and a graphic channel, down to one
layer that is recorded on the media array. The new recording becomes
a single video stream to be combined to yet another video stream.
2D, 3D effects and graphics make up a second, third, tenth and
twentieth layer. This multi-layering process may be repeated until
the desired edit is achieved. No rendering is involved in this
process.
The MW-S1000 offers editors real-time-slow-motion
in forward and reverse play. Two streams of slow-motion video,
one running forward and the other running backward at different
speeds from 0 to greater than 500 times normal play can be achieved.
Fit and Fill is also supported.
There are high-quality, all real-time 4:2:2 digital 2D and 3D
effects such as page turns, spheres, key frame moves, chroma keys
and luminance keys as well as real-time graphics, including perspective,
skew, size, rotation, axis trail, de-focus and more. All these
effects can be further customised by the user and stored by name.
Each customised effect can be key framed and placed on the timeline.
A customisable user tool bar and shortcut keys offers editors
more streamlined ways to work.
There is real-time audio and video scrubbing and a waveform monitor/vectorscope.
Real-time audio scrubbing is smooth enough to locate syllables
or distinct sounds in an audio track. Video scrubbing allows the
user to smoothly move between video frames without seeing jerky
motions in the video.
It is designed to work in tandem with JVC's D-9 format but is
equally compatible with other popular analogue and digital tape
formats. It can be configured from input to output with all serial,
digital, analogue component, Y/C or composite video paths.
The MW-S1000 has a 270 Mb/s video data bus that can support up
to 8 simultaneous video channels and 4:2:2 processing of all 2D
video effects. Its high-performance specs provide dual stream
video in and out, Compression ratios from lossless to 30:1 can
be selected, and any combination can be mixed on the timeline.
The non-linear editor is capable of rolling a separate source
VTR to allow instant insertion of scenes directly into the record
master. This eliminates the need to batch digitise whenever HDD
storage is full, or for just eliminating digitising when possible
to gain extra speed in producing the final master tape. Source
VTR video and timeline video mixing will be offered in a future
release.
The MW-S1000 houses computer, all video, audio, codec, hard disk
array and connectors on its back panel in one unit. The CPU motherboard
is a server-type board for much greater expansion with third-party
products. Networking is easily accomplished by adding the appropriate
Ethernet or fibre channel interface cards, with room to spare
for other application cards.
The MW-S1000 can be offered as a turnkey package complete with
speakers, monitors, cables and popular JVC VTRs. This single chassis
construction allows for fast and easy installation, set-up and
routine maintenance.
JVC announces the technological
development of the extremely compact, portable, high-resolution
Liquid Crystal Colour Shutter (LCCS) monitor TM-L500PN. This 5-inch,
rack-mountable monitor is ideal for PAL or NTSC ENG field production,
video production trucks, arena seating and event production.
JVC's newest field monitor is based on Liquid Crystal Colour Shutter
technology that, unlike a conventional CRT monitor, utilises a
combination of a black and white CRT with a liquid crystal colour
shutter. The result is a highly functional, compact, 5-inch colour
monitor that delivers a sharp image in even the brightest sunlight,
without misconvergence or annoying moiré patterns, and
with over 400 TV lines of resolution.
Unlike conventional CRT monitors that use three electron guns
(RGB) to produce a colour image, JVC's new LCCS monitor uses one
black and white electron gun, which is merged with a liquid crystal
colour shutter, providing incredible sharpness and brightness.
The monitor's basic structure approximates the human eye's accumulation
of light. By utilising the CRT's single electron gun aimed through
red light, green light and blue light filters, each separated
by a liquid crystal shutter layer, the LCCS monitor delivers a
richness and fullness of colour, as well as superb 400TVL resolution.
The success of the liquid crystal shutter is achieved by the unique
process of aiming the CRT electron beam through a series of continuously
refreshing, angle-controlled polarised liquid crystal pixels arranged
in layers in order to achieve brightness, resolution and superior
chroma resolution. The result is a strikingly small 5-inch monitor
that delivers more than 400 TV lines of resolution and vivid colour
reproduction.
The 5-inch LCCS monitor offers to users a fully featured package
which includes underscan, blue check and 16:9 aspect capability.
It has 2 video inputs with BNC connectors, two audio inputs, a
built-in speaker and a mini earphone jack for broadcast field
monitoring. It can be powered with a DC Battery and has a detachable
AC adapter. This highly compact unit is triple EIA rack mountable
and weighs below 3.5Kg with its AC adaptor.
 DY-90W 16:9/4:3 D-9 Camcorder JPEG 1809x1317 (344K) |
 BR-D95 D-9 Variable Motion / SDTI JPEG 4000x2500 (879K) |
 Prototype LCCS Monitor (PAL/NTSC TM-L550PN) JPEG 3637x3267 (397K) |
 MW-S1000 Non-Linear Editor JPEG 2434x1501 (828K) |
 DY-90 D-9 Camcorder (right) JPEG 2953x1949 (840K) |
 DY-90 D-9 Camcorder (left) JPEG 2933x1949 (827K) |
 D-9 HD1080i Camcorder JPEG 3000x2390 (2024K) |
 D-9 HD 720P Camcorder JPEG 2500x1981 (1512K |
 D-9 HD VTR 1080i/720P JPEG 4000x2500 (960K) |
 KY-D29W 16:9 switchable camera JPEG 2945x1949 (855K) |
 BR-D92 D-9 Editor JPEG 2905x1937 (843K) |
 GD-V425PZW Plasma Monitor Photo CD (5MB) |
 D9 Group Photo (large file) JPEG 5059X3169 (3.2MB) |
 BR-D92/52 D-9 JPEG 2719x3148 (588K) |
 D-9 Four Channel Family JPEG 5265x2976 (1904K) |
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 Various logos in resolution independent Adobe Illustrator format |
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| JVC ITVS Montreux '99 European Organiser | JVC World-wide Headquarters |
| JVC PROFESSIONAL PRODUCTS GMBH Gruener Weg 10, D-61169 Friedberg, Germany Ms. B. Bovelet Phone +49 6031 6050 Fax +49 6031 605280 |
VICTOR COMPANY OF JAPAN, LTD. (JVC) International Professional Products Marketing Division (IPSMD) 12, 3-Chome, Moriya-cho, Kanagawa-ku, Yokohama 221-8528 Japan Mr. D. Gifford tel: +81 45 450 2310 fax: +81 45 450 2309 email: [email protected] |
